Over the course of six decades, Bob Dylan steadily brought together popular music and poetic excellence. Yet the guardians of literary culture have only rarely accepted Dylan’s legitimacy.
His 2016 Nobel Prize in Literature undermined his outsider status, challenging scholars, fans and critics to think of Dylan as an integral part of international literary heritage. My new book, “No One to Meet: Imitation and Originality in the Songs of Bob Dylan,” takes this challenge seriously and places Dylan within a literary tradition that extends all the way back to the ancients.
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The Drift
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